JAZZ IS (un)DEAD

(a conference paper) Continuing my spate of public-access-style conference papers, here’s my recent one for this year’s online conference for the International Association for the Study of Popular Music-US (IASPM-US), held in May 2021. I’m interested more and more in how our embodied communal archive of musical practices (memory, affect, imagination) is connected to theContinue reading “JAZZ IS (un)DEAD”

“Jazz is a Four-Letter Word” The Conference Paper

Hey all – here’s another conference presentation, this time for the American Musicological Society’s Annual Conference. It’s all online this year which has turned us musicologists into low-budget public access television producers. Here’s my contribution: “Payton vs. ‘Jazz’: Unpacking the Racialized Power Dynamics of an Instagram Meme.” You can checkout the full transcript of myContinue reading ““Jazz is a Four-Letter Word” The Conference Paper”

Kluth’s Big Bibliography of “Decolonizing Music Studies” Resources

Hey y’all – if you land on this page and have texts, websites, videos, and/or opinions to add to the conversation about decolonizing music studies, I want to hear about it. Please follow the link to add to my in-progress Big Bibliography of “Decolonizing Music Studies” Resources. The bib isn’t “big” yet, but it’s aContinue reading “Kluth’s Big Bibliography of “Decolonizing Music Studies” Resources”

#MUSICOLOGYPARTY: Thundercat & Louis Cole & Metamodernism Oh My

I was chuffed to give a colloquium paper for CWRU’s Department of Music colloquium series on September 11, 2020. As I chose to talk about super self-indulgent things I like, the talk was called: Pet Projects and Pet Theories: Notes on the Metamodern Love and Despair of Thundercat and Louis Cole. I’ve been a fanContinue reading “#MUSICOLOGYPARTY: Thundercat & Louis Cole & Metamodernism Oh My”